Gadgetory

you should have known this day was coming I heard all these horror stories are working with marvels but I didn't feel that way but for me it was very collaborative you know these people are very passionate about that product and about characters and about doing the best version of everything and I'm the same way I'm so passionate about when I'm filming on what I'm doing these things but there was always like a Marvel executive around me just to make sure that whatever I did or whatever we did together it would tie in with other characters in other universes and other comics in other series of movies because they were very protective about that everything works and it would not do things double shaky hands out stuff doesn't really work for IMX so I kind of chose the way to kind of move the cameras more forward and backwards we build the sets with more scope on top and higher biggest ceiling so I could do low angles but also you use the iMac scope what goes higher up also the locations that I picked for we based on how can I see and how can I reveal the big scope of I mix so that was really a blast I think they really brought me in because their lights the ideas I had what I would do with the characters I think that we also liked me for the job because I was able with my action movies to shoot in a very short of time or with very low budgets scope action that looks like a big-budget movie you always were looking for fun you know I think that's also so good about the Marvel franchise they don't take itself seriously then luggage or is one fun big beast and so but also the other characters and even Carnac who is kind of his abilities to see only the negative side of things it's a very comedic character because he sees all the negative things of things the scanner was super tight it was TV tight and what is nerve-wracking so we have seven Filofax companies working on 600 special effects shots for this first two episode what was a massive amount of number but also I had TV schedule time to shoot it with IMAX cameras were there is nerve-racking but I come from a low-budget film world so 20 days for me is a luxury